P.O. Box 53055    
Los Angeles, CA 90053   

The Carpenter and the King

CONNIE: Hello I'm Connie Jeffery

CONNIE: And I'm Lonnie Melashenko. Connie, our program today is a
very special Christmas broadcast I know all our listeners are going to especially
enjoy.

CONNIE: We're so happy to have as our guest, Hugh Martin, who wrote
the familiar Christmas song, "Have Yourself a Merry Little Christmas."

LONNIE: Our own contralto soloist, Del Delker, is with us too today, and
she interviewed him, a real celebrity in the show business world.

CONNIE: But he's a very humble man.

LONNIE: He is. He doesn't let things go to his head, he doesn't take the
glory, he passes it on as you'll notice just now as we listen in.

DEL: Hugh It's so nice to be with you again

HUGH: It's wonderful that we're still dear friends after all those camp
meetings that we went on.

DEL: Right.

HUGH: Its amazing, cause we went through everything didn't we.

DEL: We surely did, I tell you. I look back on those years with such joy.

HUGH: The best.

DEL: We traveled with H.M.S. Richards Sr., founder of the Voice Of
Prophecy, we'll get into that a little bit later.

HUGH: Yes.

DEL: Hugh, tell us a little about your job description for so many years.
About 70 years isn't?

HUGH: It was really 70 years plus. I came to New York in the early
1930s, when I was about 19, and took every job I could get cause I didn't really
know where I belonged. So I, I think the Lord knew where I belonged. So he let
me go through a lot of good rehearsing, failing at things so that I'd finally know
what I was supposed to do.

DEL: Well you met many people that were household names. You
composed, you arranged, and vocal coached, right? For the movies and theater,
and now a little name dropping, we won't have time to do much of that because
that would take hours.

HUGH: It really would.

DEL: But didn't you give Gene Kelly his first choreography job?

HUGH: I did. I know nobody will believe that, because Gene was so
brilliant. But when he was in "Pal Joey" he was a great Broadway star, but in his
heart he wanted to be a choreographer, more than the performing, and I had a
feeling about it, and begged Mr. Abbot our producer to give Gene a job as a
choreographer. He finally gave in to my stubbornness and put Gene on the job,
and he was sensational.

DEL: Well then along came Judy Garland, a household word still.
Everyone knows her.

HUGH: Oh yes. There's nobody better.

DEL: I'm sure our listeners would just love to know how and why your
famous song " Have yourself a Merry Little Christmas" was written. Can you
briefly tell us about that?

HUGH: Oh yes. Ralph Blain and I were partners, song writing partners,
and we were assigned to write the songs for, "Meet me in St. Louis", which was
one of Judy's biggest successes, and the reason I wrote the song, was simply that
there was a Christmas scene in the script. I read the script. I saw that the scene
needed a song, and I started noodeling on the piano and looking for a melody that
might, might fill the bill, and I had been playing this tune all day, and couldn't
make it finish. I got in the middle of it, I got stuck, and so I just dropped it, and
put it aside. But fortunately the next day my partner Ralph said," Hey Hugh
yesterday you were playing kind of a madrigal like little tune, and I really liked it.
What happened with it? I said well, I couldn't make it work, it just evaded me,
and so I put it aside and kind of threw it away. He said, You what? And I said,
well I did, and he said well, get it from wherever it is and finish it because I have
a big feeling about it, so indeed I did find it in my notebook.

DEL: I'm so glad you did.

HUGH: I'm glad I did, but the battle was still not over, because the lyric I
wrote for it was ridiculous. It really wasn't a good lyric at all.

DEL: It was pessimistic, wasn't it? It was very pessimistic.
And I might add here, from what I've heard, you were a very pessimistic person.

HUGH: O I was sad. Where were you when I needed you?
And so we auditioned the song for Judy and the producer and the director, and
they laughed. They laughed--my sad old song, and here they were laughing at it,
and I felt so hurt, and I…..

DEL: Give the line that they laughed at the most.

HUGH: Well, I'll sing it for you. The first 8 bars, this is what I wrote:
"Have yourself a merry little Christmas, It may be your last."

DEL: O good grief!

HUGH: "Next year we may all be living in the past!" And they screamed,
and I was so hurt

DEL: I don't blame 'em. I would've screamed too.

HUGH: And they said, well, we love the melody Hugh, how about writing
a nice, lovely happy Christmas lyric for it, and I was so stupid and young and
arrogant and I said, No! Won't do it! You take it or leave it

DEL: You take it or leave it!

HUGH: And they left it, but Tom Drake, who was the leading man of the
movie, took me aside one day and he said, You know, you're being very
ridiculous, and he said you've got a really great song there potentially. Won't
you please think about doing a proper lyric for it? And I suddenly realized that he
was right and I went home and wrote the one that's in the movie, which is still a
little wistful and sad.

DEL: Yeah, there's a little line or so, but it's basically quite optimistic.

HUGH: It was basically upbeat, but it was still sad enough that I got a
phone call from Frank Sinatra a few months later, saying, Hey, I like your
Christmas song, Hugh, but I'm doing an album called "A Jolly Christmas." Do
you think you could jolly it up for me a bit? And I said, well, of course. You
don't say No to Frank Sinatra. So I went for a walk, and when I came back I had
the line about "Hang a shining star upon the highest bow," which Frank loved and
recorded. You know, almost everybody's recorded it, you know. I'm going to
brag a little bit. I'm writing a book of memoirs and I wanted to mention how
many recordings had been of my song, so I wrote to my publisher and he sent me
a printout and guess how many were on there--separate recordings--500. I nearly
dropped dead. I was so thrilled and so grateful because obviously the Lord
wanted me to have that. It was just a marvelous gift.

DEL: Well, Hugh, we've dropped a few names here. Enough name
dropping. Now let's get to the very best name, our Lord Jesus Christ, and His
influence in your life. How He entered your life. Now, let's see. 1960, you
started realizing there was more to life than just show biz, didn't you?

HUGH: Couldn't believe it at first, but it certainly turned out to be true

DEL: It took a long time for the Lord to get your attention

HUGH: O I know it.

DEL: Tell us about the experience that really caused you to sense your
need of the Lord.

HUGH: Well, I had been on drugs for 10 years and didn't even realize it.
There was a really outrageous doctor in New York. His name was Dr. Max
Jacobson. I can use his name because it all came out in the New York Times on
the front page. He was injecting all of the show business people in New York
And indeed he was able to remove the symptoms quite miraculously, but what
happened after that--I mean we all fell apart. I fell apart in London in 1960
and…..

DEL: Why were you there?

HUGH: I was there to write a show with Noel Coward. They sent me to a
psychiatrist and I said, You know I'll never write another song. And it was such
lovely. I think the lord must have been smiling when He let this happen.

DEL: Now, you were in a mental institution?

HUGH: I was in a mental hospital, yes.

DEL: Yes, but I want the folks to hear about your encounter when you
went into that chapel

HUGH: I'll never forget it. It was probably the lowest moment of my life.
I was so desperate. I couldn't sleep, I couldn't eat, and I couldn't stop crying. I
cried for 3 weeks and finally roaming around the hospital, down in the basement I
found a sweet little chapel. And I said O my God, I don't know whether I'm
going to live or die or go crazy, but if you are there, please come to me. I will
serve you for ever. If you will come and take me out of this miry pit. Now what
put the phrase miry pit in my mind…

DEL: You must have read that in the Bible.

HUGH: I must have, or I heard my preacher say it in Birmingham.

DEL: Shortly after that you listened to a radio broadcast. Now I wonder
what the name of that is.

HUGH: Well, I will never forget that either because without the Voice of
Prophecy I'm not sure any of these good things would have happened. I didn't
have my born-again experience through the Voice, but I think it prepared me for
that. I listened for 9 years Del, and I listened because of you. This is not flattery,
but I was not the least bit interested in sermons or messages or the Bible, I still
was not there yet. But your voice captivated me. Since Judy Garland I'd never
heard anyone I really wanted to play for and be the accompanist for, but when I
heard you sing I thought oh if only I could be her accompanist I'd be happy
forever.

DEL: Well Hugh, we've worked together long enough to know that when
we perform we ask the Lord to bless it, so what you heard from me was the spirit
of God through these lovely songs we did, and we had a wonderful time. And
you worked with us what was it about four years?

HUGH: It was about four summers, we did about two months every
summer for four years.

DEL: We worked together with the founder of VOP, Dr. H.M.S. Richards
Sr.. Hugh, how did you feel when you actually knew that you were a friend of
Jesus, and you were born again?

HUGH: I felt the way a sick man feels when he's allowed to go outside for
the first time in six months, or the way a condemned man feels when he's let out
of prison. Mark Twain said a wonderful thing once, they said, "Mr. Twain, what
are the two greatest words in the English language?" And he thought a minute
and then he said, "Not Guilty." And that's the way I felt when I realized that all
those dreadful things had finally been wiped away, as far as the east is from the
west.

DEL: Well, not very many people know though Hugh, that you wrote a
spiritual lyrics to the song "Have Yourself a Merry Little Christmas", "Have
Yourself a Blessed Little Christmas". You and a friend, what was the friend's
name?

HUGH: Yes, his name is John Fricke…and he was a great friend of Judy
Garland, and he did the Judy Garland biography with me on A&E, that a lot of
our listeners might have seen, which I was on. And John wrote me a letter just
really to amuse me, not to suggest anything. He said, "I sang your song in
Church the other day, because my mother insisted I sing, and I couldn't think of
anything else to sing, so I sang Have Yourself a Merry Little Christmas and he
said afterwards, I got to thinking that song is so pretty it should have sacred
words, Christian words, and he said I've written some, and here they are, and
they may just make you laugh, or you may just throw them in the wastebasket,
but I wanted you to see them. Well I read them and I thought they were really
good, and I wrote back that I'd like to work on it with him, may we collaborate
on it. So John and I, wrote the version that now goes out with the song, when
anyone buys Have Yourself a Merry Little Christmas, they get Have Yourself a
Blessed Little Christmas free, with it, you know since it's all on the same sheet
music, and Del, I understand that you're going to sing it for us right now.

Del Delker sings Have Yourself a Blessed Little Christmas, accompanied
by the composer, Hugh Martin.

CONNIE: Amen! We truly do wish all of you a a blessed little Christmas. That
was Del Delker, accompanied by the composer, Hugh Martin. As we celebrate
the fact that Christ the King IS born--and not only THAT, there's more. He lived
with us and taught us about His heavenly Father. It's a wonderful time for
singing Hosanna and hymns and hallelujahs!

LONNIE: It is indeed, Connie. While some Christians would remind us
that it's a pretty sure thing that Jesus wasn't actually born on December 25, still,
it's a good thing to have a time set aside every year when remember God's
greatest gift to our world. And so, today, in honor of the Christmas season, we
want to offer you a precious gift.

CONNIE: The book The Desire of Ages is a classic. It tells the whole
story of the life and ministry of Jesus, and we're offering it as our gift to anyone
who asks for it this week.
LONNIE: The number to call for your free copy of The Desire of Ages is
1-800-872-0055. It's one of my favorite books, and it's a great book for helping
you really appreciate the reason for the season.

CONNIE: After Lonnie's message today we'll give you an address you can
write to as well to request your copy of The Desire of Ages.
CONNIE: Lonnie, today's message wraps up our Christmas series. I take
it we'll be looking a bit past the birth of Jesus--perhaps to His childhood--in your
message The Carpenter and the King.

The Carpenter and the King

Well let me share with you the Christmas story you may not have heard
before. Shortly after Jesus was born, an angel of the Lord came to Joseph in a
dream and warned him to take Jesus and Mary and head south--spend some time
down in Egypt.

Of course the reason was that King Herod didn't like competition. When
he heard that a baby had been born who would be King of the Jews, he made it
very plain that HE was going to be the one to choose his successor, not God. So
Herod ordered all the baby boys in Bethlehem killed.
Joseph and Mary and Jesus left town just in time, and fled to Egypt. They
stayed there, south of the border, until they heard that Herod was no longer a
threat. Here's how Matthew's Gospel describes what happened next, in chapter
2, verses 19 and 20:

After Herod died, an angel of the Lord appeared in a dream to Joseph
in Egypt and said, "Get up, take the child and his mother and go to the land
of Israel, for those who were trying to take the child's life are dead" (Matt
2:19-20, NIV).

With Herod dead, it seemed safe to go back to Bethlehem. Or perhaps
Joseph and Mary thought it would be even better to settle in Jerusalem. After all,
they'd been told that Jesus would grow up to be a very important leader for His
people. The very prophecy that predicted where Jesus would be born proclaimed
"But you, Bethlehem Ephrathah, though you are little among the
thousands of Judah, yet out of you shall come forth to Me the One to be
Ruler in Israel " (Micah 5:2NKJV).
With that in mind, it would seem natural to settle near the center of
activity. Jerusalem would offer the very best in education for their Son--not to
mention the opportunity to establish a network of powerful friends who could
help Him in His rise to power.

From a human standpoint, Jerusalem--or somewhere else in Judea would
be the best place to raise Jesus.
But human plans are often bested by divine plans. God has a better way.
Notice what happened next:
So [Joseph] got up, took the child and his mother and went to the land
of Israel. But when he heard that Archelaus was reigning in Judea in place
of his father Herod, he was afraid to go there. Having been warned in a
dream, he withdrew to the district of Galilee, and he went and lived in a
town called Nazareth. (Matt 2:21-23 NIV).
That little travel tip Joseph received from God was--as usual--very good
advice.

It soon became apparent that Herod's son Archelaus was a chip off the old
block. Life with him as ruler was no better or safer than with Herod on the
throne. In fact things in Judea kept getting worse and worse. Finally, after ten
years of listening to complaints, Augustus Caesar intervened and deposed
Archelaus and turned Judea into a Roman province.
Meanwhile, Joseph, Mary, and Jesus had moved to Nazareth up in Galilee.
You might think, from the Bible story, that they were basically out in the middle
of nowhere, living in a tiny village with little contact with the outside world. In
fact, the Bible tells us almost nothing about Jesus' childhood or early manhood.
And one of the things it doesn't tell us is that Jesus had some pretty
prestigious neighbors up there in Nazareth. Just an hours walk down the road
was a much larger city that's never mentioned in the Bible. Sepphoris was the
name of the place, and I was able to visit the ruins of that city last year as we
prepared our video series on The Story Behind the Christmas Story.
In Jesus' day it was a very important city. In fact, just about the time that
Joseph and his family moved back to Nazareth, Herod Antipas chose Sepphoris
as his capital city!

Now, what that meant was that the city had to undergo a complete
rebuilding. There was a lot of turmoil in the area just after Herod the Great died,
and Sepphoris was almost completely destroyed. So when Antipas chose it as the
site for his palace, you know what that meant.
There would be a lot of work for carpenters and other artisans in
Sepphoris, just a hop skip and a jump up the road from Nazareth.
You know, it sent chills up and down my spine as we visited the ruins of
the palace and amphitheater there. As I looked at the square-cut stones forming
the walls and rows of seats, I couldn't help but wonder: Did the carpenter Joseph
have anything to do with putting these stones in place?
Or, is it just possible that the young apprentice carpenter Jesus helped
build a roof here, or maybe some of the furniture?
It would be exciting if we knew for sure, but of course it's only
speculation.

But one things sure. Jesus may have grown up in Nazareth, but He was no
hick from the sticks. He lived within easy walking distance of the seat of power.
When He spoke about how the rulers of His day behaved, He knew what He was
talking about. It seems likely He had even had a hand in building a palace for
Herod Antipas.
But then the day came when Jesus laid aside His carpenter's tools and set
to work on another kind of construction project. One that would be far more
enduring.

I told you that we visited the ruins of Sepphoris when we were in Israel.
Because you see, that's all that remains of the city Herod Antipas chose for his
capital. Stones and rounded sections of once-stately columns lie scattered about
the site like toys on a playroom floor. The finest work of human hands always
crumbles into ruins over time.

But when Jesus left Nazareth, left Sepphoris, He went on to build
something that would last. This time He didn't work in wood or stone, but in
something softer, more pliable, and more durable: Human hearts.
And the work He did there continues to grow and flourish even today. It
will never crumble into ruins.

Because you see, my friend, that's what the Christmas story is all about.
That's what the story behind the Christmas story is all about. It's about Jesus,
who came to earth, not just as a little baby, not just as a carpenter's son. But as
God Himself. God with a mission. God with a construction project.
He came to construct His church--not with stone, but with human flesh.
He came to gather together and build up all those of us who would respond to His
touch.

He wants to take your life, and my life, and He wants to apply His
carpenter's tools to us. To hone us, to polish us, to refine us, and make us fit
Astones for building up His church.
This Christmas, invite Him to come and do that for you. Invite Him to
come into your heart, and be both the Carpenter and the King!